Charles Vidor
About
Biography
Filmography
Family & Companions
Biography
Editor and assistant director with UFA who arrived in the US in 1924 and, after a stint with a Wagnerian opera company and in a Broadway chorus, left for Hollywood. Vidor made his directorial debut in 1931 with the self-financed short, "The Bridge," which landed him a contract with MGM. In 1932 he co-directed his first feature, "The Mask of Fu Manchu," one of the finest screen adaptations of the Sax Rohmer novels. Vidor was noted for his ability to impart a technical fluency to routine subjects; among the best of his prolific output were "Ladies in Retirement" (1941), "Love Me or Leave Me" (1955) and "The Joker Is Wild" (1957). Vidor was also responsible for the trailblazing psychological study, "Blind Alley" (1939), and the two Rita Hayworth vehicles that cemented her stardom: the arresting musical, "Cover Girl" (1944), and the steamy noir thriller, "Gilda" (1946).
Filmography
Director (Feature Film)
Writer (Feature Film)
Producer (Feature Film)
Production Companies (Feature Film)
Misc. Crew (Feature Film)
Life Events
1924
Moved to USA; sang with English Grand opera company; worked in Broadway chorus and as longshoreman
1931
Directed first independent short, "The Bridge"
1932
Joined MGM; directed first feature, "The Mask of Fu Manchu" (uncredited; co-directed with Charles Brabin)
1933
Directed first solo feature, "Sensation Hunters"
1939
Joined Columbia Pictures
1949
Quit Columbia after dispute with Harry Cohn; settled breach-of-contract suit out of court; returned to MGM
1956
Formed Aurora Productions
1959
Suffered heart attack in Vienna while filming "Magic Flame" (completed by George Cukor as "Song Without End")